Music Hall Part II

Frontage 1

So in my previous blog I reflected on the need to value Shropshire’s historical collection, soon to be housed in the restored and remodelled Music Hall. An outstanding collection in a remarkable range of buildings that are themselves, historical artefacts. It’s not been an easy journey. As the plaster was stripped back, decades of dodgy interventions were uncovered and created a few heart-stopping moments when solid walls were found to be not so solid after all. Armed with my trusty camera, I’ve taken a peak inside to let you see just how dramatic that intervention had to be. Thankfully, the worst is over and there are now real glimpses of just how spectacular the transformation is.

For over a hundred years, the main building was a theatre. The windows were blocked out and a stage took up one end of a room that had originally been designed for dances and mind-improving lectures. Now, the windows are clear, allowing natural light to flood in and reveal a spectacular ceiling. 

Assembly Room

Assembly Room

It’s a great space and will be the main exhibition hall. 

The open plan Assembly Room space

The open plan Assembly Room space

Regulars to the Music Hall will be familiar with the space as a theatre with a stage but the stage has gone and the room is open plan, as originally intended. The second of these two shots was taken from the balcony which will provide another exhibition space and a great view down into the main gallery.

The Music Hall is really a collection of buildings from a range of periods as outlined in part I of this blog. The most significant section is Vaughan’s Mansion, and early medieval residence on two floors. The ground floor would have been storage for goods and livestock. The first floor would have been the accommodation and space for entertaining. For it’s time, it’s an impressive building and a statement only a wealthy merchant could afford to make. In recent years the basement was a small cinema,  the precursor to the OMH which stands outside; a wool-trading hall now a bijou digital cinema and coffee-room – another excellent example of  the effective, complimentary use restored, historical buildings.  

View of the OMH from the conference room

View of the OMH from the conference room

Anyone with any understanding of historic building renovation will appreciate that no amount of pre-planning or setting of budgets can anticipate the surprises you find when you peel back the layers. They’re the kind of surprises that inevitably increase costs and push back completion dates. The Music Hall is no exception as the next few photos attest.

New support in the basement of Vaughan's Mansion

New support in the basement of Vaughan’s Mansion

A central supporting wall was found to end before it reached the ground, requiring substantial engineering intervention and a sizeable quantity of French oak and modern metalwork.

The Roman Gallery room

The Roman Gallery room

This space will become the Roman Gallery, reflecting the period of occupation that included a visit by Emperor Hadrian to nearby Wroxeter. It’s an example of how the collection at the Shropshire Museum will link to the wider landscape.

Support in Vaughan's loft

Support in Vaughan’s loft

In the loft of Vaughan’s, the intervention is even more industrial but necessary, all the same.

I appreciate that these images may not show the Old Girl in her best light and may give an impression that there’s still a mountain to climb but the corner has been turned and it’s the home straight. I’ve followed this project with interest from within the local authority that began the work and now as an interested bystander. I’ve always been passionate about Shropshire’s history and I can think of no better stage on which to display the artefacts that tell that epic story. When the doors do open, I’ll be first in the queue.

The Music Hall

The Music Hall

The Music Hall Part I

The Music Hall, Shrewsbury

The Music Hall, Shrewsbury

There was a time when every town in England that considered itself to be fashionable would build an Assembly Rooms. The kind of venue in which female characters in a Jane Austin novel would congregate during the season and, if they were lucky, fill their dance card with eligible bachelors and, god willing, find themselves a suitable match. Shrewsbury had one such venue. It was also a place where amateur naturalists would meet and display their latest curiosities to a baffled populace. Such venues were palaces of both fun and wonder. For Shrewsbury, it was the beginning of the creation of a collection that reflected a story stretching back beyond the earliest human habitation. It told of a landscape ravaged by internecine conflict across an ever-changing border between England and its Welsh neighbour. A place invaded and occupied by Romans. And a place where the very ground beneath your feet tells a tale of an epic journey of the land mass from close to the South Pole to somewhere closer to the northern one. Aeons of time and contrasts of climate that unfold in the stones of Shropshire. And over time, the people of Shropshire have contributed to that collection. It’s a collection that tells not only the story of Shropshire but of the whole of the British Isles, because nowhere is a collection so linked to the landscape that surrounds it. Within a matter of a few miles of this venue are sandstone Saharan bluffs and fossilised coral reefs and stone from ten of the twelve geological periods.  For the last fifty years, it’s been known as The Music Hall. In the 19th century, Charles Dickens read from his latest work ‘A Christmas Carol’ from its stage. In the early sixties an up-and-coming four piece from Merseyside via Hamburg pleased, pleased the excited teenage crowd.

The Music Hall is now opening a new chapter. It will house Shropshire’s historical collection and for the first time, the dramatic story will unfold in a way our ancestors could never have imagined but would certainly approve. And what value do we put on such a collection at a time of economic stress and tightening local government budgets? A good question. There have always been tensions between the necessary and the cultural. Between emptying the bins, resurfacing the roads on one hand and museums, libraries and artistic pursuits on the other. But collections are more important than that. They are the story of who we are and the journey we took to get here. They tell the story of our place and the people who built it. They give us a sense of identity and tie us to our ancestors. We are who we are because of those who came before us and it’s worth reflecting on that occasionally before we get to big for our boots. Shrewsbury is the birthplace of Charles Darwin. In his twenties, he set out on a voyage of discovery that eventually led to one of the simplest most profound takes on the story of life. An idea that set Man firmly in his place. It was an idea grounded in observation and born of a perspective nurtured in the Unitarian Church which he attended with his mother and which still stands but two minutes walk from The Music Hall. In a town that produced so radical a son where better to take a stand against a view which places no value on such treasures? The Music Hall has been undergoing a transformation over the last few years and the story of that transformation has been one of struggle and tension. The Music Hall is actually a collection of buildings, parts of which date back to the Early Medieval. The old girl has thrown up a few surprises that couldn’t have been foreseen at the start of the journey. Its meant delays and extra cost. In some cases, costly intervention has prevented catastrophic colapse. It’s a balancing act but it is close to resolution and I’ve been inside to look at progress. In part two of this blog I’ll share some photos. Stay tuned.